“[Mikey Rioux] displays a gift for theatrically composed interplay...Rioux has an impressive choreographic vision. ”
— Lucia Mauro, Chicago Tribune
““Rioux’s fluid choreography always seems “right.” His ability to move bodies in ways that seem natural without being predictable is quite astounding.””
— Kristen Legg, Seattle Dances
““It’s full of wriggling and attitude and breathtaking leaps and catches..””
— Laura Molzahn, Chicago Reader
““...filthy/mockingbird, a work whose demands, both physical and mental, were massive...””
— Zachary Whittenburg, Dance Magazine
““Principals Bianca Cabrera and [Mikey] Rioux gave notably strong performances, with heat in their movement and fire in their limbs.””
— Brendan Kiley, The Stranger
““Seamless interweaving allows this work to shift and shimmer with care and intimacy. Billowing gestures transform time in a ritual of resolute connection.””